从女性主义批评视角看莎士比亚悲剧中的妇女形象 - 毕业论文
摘 要
莎士比亚的作品所构造的是1个典型的男性中心社会，大男子主义的表现可以在无数剧作中有关妇女的言论中发现。莎士比亚的男性身份使他不可避免地误解、歪曲女性人物，与当时父权社会对妇女的态度相1致。在莎士比亚的悲剧中对妇女形象的塑造有失真实，要么是脆弱者，要么是淫荡者，要么是雄性化的女人形象。女性的地位1直处于不稳定的边缘，在莎剧中，女性不是1个完全独立的人，不仅在政治上、经济上而且在精神上给予女性以无情的批判。女人在文本中的出现更多的是为了诠释男人，女人是男人的附属物，并受生育的拖累，且大多数人都甘愿附属于男人。同样女性话语没有1套合法的属于自己的话语体系，莎士比亚1会把女性抬为天使，1会又降为恶魔。戏剧没有对女性完整且正确地描述，有的只是男性的意愿塑造。
关键词：女性主义批评；悲剧；女人；男人；父权制
ABSTRACT
Shakespeares work structure is a typical masculine central society. The big male principle performance may be discovered in the innumerable dramatic works about the concerned womans opinions. Shakespeares masculine status causes him inevitably to misunderstand and twist the feminine character, the manner was consistent with the male society to the woman at that time. Molds in Shakespeares tragedy to the female figure has lost reality, either is the frailty, either is the lasciviousness, either is the male gender woman image. The feminine status continuously is in the unstable edge, in the Shakespeare’s plays, the female is not a completely independent person, not only in politics, in economy, but also gives the female in the spirit by the heartless critique. Women who appear more in the text account for the annotation man. The woman is mans accessory which implicates women gives birth for men and the majority of people are willing to attach to the man. At the same time feminine words setting legitimate has not belonged to its own words system. Shakespeare either lifts the female for the angel, or reduces it to the devil. The plays don’t describes the female completely and correctly, some are the masculine’ wish mold.
Key words: Feminine principle criticism; Tragedy; Woman; Man; The system of male authority